Posted by Will Bishop
Playwright Tarell McCraney, director Tina Landau, and a group of actors are at Steppenwolf this month developing Tarell’s Head of Passes. So, what questions have been raised by this workshop, and what parts of the play have been getting the most attention? Click to see.
This weekend, Philip Dawkins’ Miss Marx; or the Involuntary Side Effect of Living had a staged reading as part of Steppenwolf’s 2011 First Look Series. We caught up with Philip to ask him what he listens for when he hears his “Victorian, Socialist, S&M romance” (his words) read aloud.Posted by Will Bishop | 0 responses
This weekend, Marisa Wegrzyn’s Mud Blue Sky had a staged reading as part of Steppenwolf’s 2011 First Look Series. We caught up with Marisa to ask what she listens for when she hears her work read aloud.Posted by Will Bishop | 0 responses
This past weekend, participants in First Look 101– which invites participating audience members behind the scenes on certain rehearsals and conversations surrounding
Posted by Christopher Shea | 1 responses
At the kick-off event for Saturday’s First Look 101 in the Steppenwolf Garage, we talked with Zayd Dohrn, Carly Mensch, and Christina Anderson, whose plays will go up in Steppenwolf’s 2011 First Look series later this month. Here’s a look at what they had to say about their plays as 101ers buzzed about them in the background.Posted by Christopher Shea | 0 responses
Playwright Lisa D’Amour’s Cherokee is currently in development at Steppenwolf. Polly Carl is Director of Arena Stage’s New Play Institute, and Artistic Consultant at Steppenwolf.
Polly Carl discusses her connection with playwright Lisa D’Amour.Posted by Polly Carl | 0 responses
Playwright Tanya Saracho’s “Untitled Tanya Saracho Project” is currently in development at Steppenwolf.
Tanya Saracho discusses her fear of writing a uni-lingual play from a writing workshop.Posted by Tanya Saracho | 0 responses